PARTY. PARTICIPATE. PROTEST.
Together we dance in the streets as an act of collective resistance, mobilising our bodies into a force for joy and transforming the city into runways and discos, in a riotous act of celebration.
CLICK HERE FOR INFO ABOUT UPCOMING MOBILISE EVENTS
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CLICK HERE FOR INFO ABOUT UPCOMING MOBILISE EVENTS 💥
NEXT PARTY - SAT 4 MARCH
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NEXT PARTY - SAT 4 MARCH 💥
MOBILISE
‘Dancing is the one thing that makes me feel free, it allows me to be truly myself and forget about the world for a moment’ - feedback from local LGBTQ+ community member
Building on the historical significance of dance floors as LGBTQ+ meeting places, MOBILISE created a series of raucous, joyful and radical queer accessible sober social dance parties and silent disco, created specifically to empower people to dance, take up public space, feel confident, and celebrate themselves (with particular focus on centring trans, disabled, fat, PoC, and other marginalised queer bodies).
In delivering these parties and establishing a culture around social dancing as a vehicle for queer joy, we recruited participants from the local LGBTQ+ community in Birmingham. Working alongside a team of leading queer artists, MOBILISE culminated in a large-scale co-devised public protest performance which lead the Birmingham Pride Parade in September 2022, to an audience of 75,000 people.
The MOBILISE parade put a group of fat, trans, disabled, and global-majority queer bodies at the front of the pride parade for the first time, bringing individuals who experience marginalisation within the LGBTQ+ community to the front and centre of the pride parade, shouting ‘OUR JOY IS POLITICAL’.
WHY DID WE DO THIS?
In Summer of 2020 Fatt Projects began public consultation with LGBTQ+ community members in Birmingham. The outcomes of this consultation were used to shape our plans for MOBILISE, and particularly to think about how combat the multiple barriers identified by the community currently stopping them from participating in dance.
comments from community members included:
‘there's nothing like the feeling of dancing with wild abandon and you can't do that if you don't feel comfortable’
‘I am not a good dancer and am scared of dancing in public, so i don’t dance except when I'm by myself, or on rare occasions at specific events (usually queer events in non queer spaces) with my friends. Being Gender non-conforming contributes to this as i dont like being a spectacle’.
KEY CONSULTATION FINDINGS:
89.3% of respondents said that having a safe space to go and dance was important to them, but only 40% of respondents said they felt there were public places they felt safe and/or comfortable to go dancing in Birmingham.
41.3% of respondents said they did not feel comfortable going to venues in the gay village.
68% of respondents said they would want to go to a sober accessible LGBTQ+ space for social dancing.
86.7% of respondents said that the covid-19 pandemic had impacted their ability to socialise and/or stay connected with friends and loved ones and 73.3% of respondents said that they had felt new or increased feelings of loneliness and/or isolation since covid-19.
The combination of these statistics demonstrated an increased need for accessible social spaces for our community, where we can dance, feel free, and connect to each other.
PROJECT CREDITS:
MOBILiSE was presented by the Birmingham 2022 Festival in partnership with Birmingham Pride, generously supported by the Paul Hamlyn Foundation, Esmée Fairbairn Foundation and Arts Council, England.
Adam Carver - Creative Director
Eleni Kyriacou - Senior Producer
Eric Scutaro - Choreographer
Crip Ladywood - Assistant Director
Ellis Miles Stewart - Visual Artist
Kerfuffle Studio - Costume Design & Production
Tara Collette - Textile Artist
Gregor Reid - Musical Arrangement & Sound Designer
Adrian Kimberlain - Music Production
Paul Stringer - Documentary Film Maker
Lacey McFadyen - Marketing & Community Producer
Pip McKnight - Production Manager
Studio Forty Six - Videographer and Trailer Production
Alana Boden - Production Coordinator
Mathilde Petford - Production Coordinator
Dr. Roz Hall - Evaluation
Tamara-Jade Kaz - Visual Notetaker
Elliot Mitchell - Technical Manager